Showing posts with label Walt Whitman. Show all posts
Showing posts with label Walt Whitman. Show all posts

Friday, May 31, 2019

Walt Whitman - May 31, 1819



O Captain! My Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills;
For you bouquets and ribbon'd wreaths—for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
      Here captain! dear father!
            This arm beneath your head;
                  It is some dream that on the deck,
                        You've fallen cold and dead.



(Statue, S. Broad St and Packer Ave., Philly -1959)

















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Thursday, June 5, 2014

Bram Stoker Meets Walt Whitman – West Philadelphia 1884


(Images - Public Domain)









(Bing Maps)



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George Henry Story – Bohemian Resident of Greenwich Village 1860s – Artist Regular at Pfaff’s


Walt Whitman at Pfaff's Beer Cellar - 1856
(Public Domain)


Per my earlier piece of Mrs. G. H. Story (Eunice Emerson Kimball Story) being a childhood friend of the American Humorist “Artemis Ward”, I have since found a connection of George H. Story to a documented regular at the famous artist hangout of the 1860’s Beer Cellar – Pfaff’s.


It is little wonder Story’s connection to that Bohemian art scene of writers, actors, artists and poets, the most famous of them being Walt Whitman is lost. Not a lot of historical references to check out. Just a lot of collateral evidence of who used to frequent this once popular scene in antebellum and postbellum NYC.

And having an art studio a few doors away is not proof but I can say with certainty Story was no teetotaler. 

A who’s who of young and artsy New Yorkers or “Bohemians” as some of them were called happened around that happening place of Broadway and Bleecker Street in Manhattan.

From that period of “Bohemia” around Pfaff’s beer cellar, artist G.H. Story has his studio located at "643 Broadway" near two addresses identified with Pfaff’s as 647 and 653 Broadway.

1865 NYC Directory

George H Story’s home address is listed as “18 Cottage Place” which is no longer there. It was located between W. Houston and Bleecker and west of MacDougal and absorbed into the Sixth Avenue extension linking uptown with downtown in the 1920s. Part of it exists as part of a small triangle of a park in front of the “Little Red School House” complex – the original older building on the corner still exists and part of the east side of Cottage Place now part of Sixth and or “Avenue of the Americas”. The west side of Cottage Place where the Storys resided in now in the middle of busy Sixth Avenue. I don’t know if those apartment buildings in the picture below go back to the 1860s btw.

Google Maps


One poet who has some documented connections to the Storys is the poet William Winter, quite famous in his day and a key player in his youth at the Pfaff’s art scene.

William Winter - 1876
(Public Domain)


The first connection is some name cards of George and Eunice Story being mailed to the Winter family in acknowledgement of the death of Winter's son William, aged 14 in early 1886.

1886 - Jan - William Winter age 14

A visiting card of George H. Story with a manuscript note: "With heartfelt sympathy my dear Mr. Winter." With accompanying envelope addressed to Winter at No. 17 Third Avenue, Tompkinsville, Staten Island. Also with a visiting card of Mrs. George H. Story and a small clipping on Arthur Winter's death. Date from postmark on envelope.


The other is a later in life testimonial to William Winter with a regret posted on not being able to attend the ceremony by an aged, reclusive and infirmed G.H. Story of 1909, the year after the death of his wife following a long and lingering illness.





(typo – George Henry Story lived at 230 W. 59th Street and or Central Park South at The Hubert Co-op Apartments. Even the NYT obit on Story misspelled his residence as the “Huber”, the French pronunciation, without the correct English spelling.)



Google Maps


The address of 17 Third Ave in Tomkinsville in Staten Island NY of William Winter in 1886 has changed to Alden Place and number 17 is acknowledged by Google Maps but I cannot attach that number to any property at the moment with any certainty. The address is the end of a street entering a park on the top of a hill overlooking New York Harbor.  Winter in later life also had a Staten Island home on the top of a hill further east on the north shore overlooking the Verrazano Narrows toward Brooklyn, half a century before they built the Verrazano Narrows Bridge there.


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Monday, April 21, 2014

Lincoln's Favorite Humorist Artemus Ward and His Wartime Bohemian New York Crowd 1864


Source: - Artemus Ward (CHARLES FARRAR BROWNE) A Biography and Bibliography BY DON C. SEITZ 1919 (Don Carlos Seitz 1862-1935) 
(original copyright expired)


The long island of Manhattan seems at every point in history to have staked a claim on the horizon and built its boulevards and structures toward that point towards the rising, setting or noonday New York City sun. And later upward to that very same star itself.

I would guess that around the middle of the American Civil War, that Manhattan was headed toward that turn in Broadway at Grace Church around Tenth Street and headed further uptown to Union Square and uncharted points beyond, and toward those then great sheep meadows and cow pastures of Central Park.

The literary and artsy cognoscenti of the day, the then Bohemians of New York in a watered down crowd, thinned out by the ranks of war, kept up the spirits and voice of culture around the hub of Broadway and Bleecker Street and referenced below.

The spirit or flavor of the moment, the "in" people of the moment, might have been best described by a favorite of the Walt Whitman’s Pfaff cellar crowd Ada Clare defining a Bohemian as a:

 "cosmopolite, with a general sympathy for the fine arts, and for all things above and beyond convention"
                                                                                       http://digital.lib.lehigh.edu/pfaffs/p23/


“…The De Soto, a restaurant on Bleecker Street just
east of Broadway, was his favorite dining-place. Here
there was usually a coterie of choice spirits to aid in
enjoyment of the meal. One of these survives in the
person of George H. Story, the eminent artist, long
curator of paintings in the Metropolitan Museum of
Art, whose wife, Eunice Emerson Kimball, had been a
fellow-member with A. W. in the Thespian Club at
Norway, Maine, long before.

Dining here one day with Story, David Wambold,
the minstrel, Dan Bryant, and some others, one of
the unknown persisted in making some boresome, child-
ish remarks in competition with the genuine wits.
He became a nuisance, but was silenced at last by
A. W., who took out his note-book and gravely inquired,
"What is your age, sir?"

Mrs. Story was a relative of Ralph Waldo Emerson,
who had been a familiar figure in Waterford, and was
a sister of Charles P. and Hannibal I. Kimball, both
men of note in Norway when young and who later in
life had distinguished careers, the first as a great
manufacturer in Chicago and the second as the recreator
of Atlanta, Georgia.

One night the Storys went to the show, sitting well
up front. Cracking a joke that elicited much applause,
Artemus explained, much to the confusion of the lady,
that it was an old one, first used in Norway, Maine,
when he and "Eune Kimball played together in the
Thespian Society!" …

[169]

- Artemus Ward (CHARLES FARRAR BROWNE) A Biography and Bibliography BY DON C. SEITZ 1919 - https://archive.org/stream/artemuswardchar00seituoft#page/169/mode/1up



http://archive.org/stream/artemuswardchar00seituoft/artemuswardchar00seituoft_djvu.txt




(Photos - Above Link) (original copyrights expired)
 
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Sunday, April 13, 2014

Walt Whitman 1887





Walt Whitman 1887 - presumably in his Camden New Jersey home.

Photograph attributed to the Philadelphia artist Thomas Eakins - (Library of Congress)



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